by Sr Tamsin Mary
A Talk given at the Dominican Seminar
My community – which is small - decamped en masse to our Mother House at Stone for Christmas. A certain sister there who is in her eighties took my breath away as she outlined her programme for the next few days. She would be taking part in an ecumenical walk singing carols through the town on Christmas Eve. Then she would be playing the flute at a Mass for Children in the evening in Stone, and then she would be playing again at the main Mass on Christmas morning in another parish. Meantime other sisters from that community were dispersing themselves through the deanery – we were present and represented at eight Masses in four different parishes over Christmas.
Why am I mentioning this?
by Sr M.Pauline Burling
Today’s feast has several fine images which could provide the starting point for a good meditation: the guiding star, the three gifts, the camels, the wise men themselves or the mighty, yet fearful King Herod.
Instead I would like to take the lines of our reading from Paul’s letter to Titus 3:4-5
‘When the kindness and love of our Saviour appeared, he saved us. It was not because of any good works we ourselves had done but because of his own mercy that he saved us through the washing by which the Holy Spirit gives us new birth and life.’
by Sr M.Jadwiga Swiatecka
The poem has, I think, become something of a cliché, and has, perhaps, lost something of its impact through familiarity: ‘a cold coming we had of it’, we could now say even about many winter journeys (Though not this year, maybe. Wet, would be more appropriate) Nevertheless, it remains a poem worth rereading and questioning. It is a poem in which Eliot has been able to embody a new dimension to the familiar story of the three kings – it isn’t usual to think of what the journey, or its aftermath, might have been for them. We glimpse them in the Scriptures only in the short moment of their arrival, supported by art which sees them arriving with comfortable retinue. Eliot’s poem is one in which, in its juxtaposition of realism (the camel men cursing and grumbling) and symbolism (the three trees on the low sky, the hands dicing for silver) Eliot has also been able to encapsulate, or at least point to, journeys of Christian conversion, of meeting the incarnate Christ, which always means leaving the familiar for the unknown, in which, in the difficulties we meet, as of hostility and unfriendliness, we long for the comfort of what has been left behind – of whatever, for us, are ‘the summer palaces and the silken girls bringing sherbet,’ and, like the magi, surely hear the voices singing in our ears that this – the Christian undertaking, the search for Christ (or even more widely, Dominican life or whatever the ideal we embark upon) – is all folly.