by Sr M.Jadwiga Swiatecka
The poem has, I think, become something of a cliché, and has, perhaps, lost something of its impact through familiarity: ‘a cold coming we had of it’, we could now say even about many winter journeys (Though not this year, maybe. Wet, would be more appropriate) Nevertheless, it remains a poem worth rereading and questioning. It is a poem in which Eliot has been able to embody a new dimension to the familiar story of the three kings – it isn’t usual to think of what the journey, or its aftermath, might have been for them. We glimpse them in the Scriptures only in the short moment of their arrival, supported by art which sees them arriving with comfortable retinue. Eliot’s poem is one in which, in its juxtaposition of realism (the camel men cursing and grumbling) and symbolism (the three trees on the low sky, the hands dicing for silver) Eliot has also been able to encapsulate, or at least point to, journeys of Christian conversion, of meeting the incarnate Christ, which always means leaving the familiar for the unknown, in which, in the difficulties we meet, as of hostility and unfriendliness, we long for the comfort of what has been left behind – of whatever, for us, are ‘the summer palaces and the silken girls bringing sherbet,’ and, like the magi, surely hear the voices singing in our ears that this – the Christian undertaking, the search for Christ (or even more widely, Dominican life or whatever the ideal we embark upon) – is all folly.
Read more: There and back with a difference: T.S. Eliot’s Journey of the Magi